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Godfrey of Reims: Somnium

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This is an excerpt from a poem in elegiac couplets by Godfrey of Reims (d. 1095), a poet and churchman of the cathedral of Reims. As the title indicates, it is cast as a dream: the poet describes the setting sun and then the appearance of Odo, a great ornament among his friends. The edition prints only selected lines, with gaps marked by rows of dots and an editorial note that the poet praises Odo’s gifts at length before turning to his ancestry.

The surviving lines celebrate Odo’s noble descent from men whose deeds, peace and wars the waters of the golden Loire cannot keep silent. Godfrey was one of the most admired Latin poets of the later eleventh century in northern France, and his verse belongs to the revival of classicising poetry associated with the cathedral schools. This fragment shows his polished Ovidian manner, though its incomplete state limits what can be said of the whole poem.

About this edition. The Latin text comes from Corpus Corporum, the Latin text repository of the University of Zurich (edition: Jacques-Paul Migne, Patrologia Latina, vol. 160, Parisiis 1854), reused with attribution for non-commercial purposes (CC BY-NC-SA). Every word has been analyzed with LatinCy, a neural language model for Latin — click or tap any word for its dictionary form, part of speech, and complete morphology, together with the full entry from Lewis & Short’s A Latin Dictionary.

Latin · Lyric & Elegy
Somnium
Godfrey of Reims · every word parsed
1
Abdiderat celerem sol pronus in aequora cursum
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Astitit Odo, meos magnum decus inter amicos . . .
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5
Multis laudat eius dotes, tum de eius prosapia sic prosequitur: Quem genus a proauis, et linea sanguinis alti Ornat, ab ingenuis tota trahenda uiris. Quorum res gestas, titulos, pacem, horrida bella, Flauentis Ligeris unda silere nequit. Hunc super innumero fregerunt agmine castra, Sic qua fuere suis ausa nocere uiris. Hunc super hostiles armis strauere cateruas, Hunc super indomitos edomuere uiros. Ortus ab his atauis, et ab his maioribus Odo, Contiguus coelo iure uidendus erat. Sed licet et generis cesset clarissimus ordo Tantus et ad laudem nil operetur honor, Sufficit ingenii liquidissima uena profundi, Et quod se infudit tota Minerua sibi. Sic certe deducta mihi sua carmina fiunt, Ut si quis docili pollice fila trahat, Nil illic quod corda oneret, quod praegrauet aurem, Quodque superuacuum iure uocetur opus . . . . . . . . . . . . . . . . . . . .
Pluribus laudat eius uersus, tum narrat quomodo ei in somno uisus fuerit. Denique me modico speculatus tempore, sedit. Et tacita tetigit pectora nostra manu, Atque ait: Odo tuus subii tua tecta, tuoque Proximus assideo, mi Godefride, thoro; Sed nec uectus equo, nec cerula per freta uelo, Nec pedibus ueni, labilibusue rotis. Aera per uacuum, suspenso corpore pennis, A Genabo Remis me leuis aura tulit . . . . . . . . . . . . . . . . . . . .
Multa habet de desiderio eum uidendi, quo actus ita uenerit. Sic ergo me uentis credens te propter, amice, Non timui dubias pendulus ire uias. Et quia nostra tibi sunt semper opuscula cordi, Nec sunt arbitrio proiicienda tuo. Attulimus qui bella canit Troiana libellum, Quem tu saepe tibi me recitare facis . . . . . . . . . . . . . . . . . . . .
Orat, ut recitet quae de bello Troiano carmina ediderat.
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Text: Perseus Digital Library, licensed CC BY-SA. Dictionary: Lewis & Short (Perseus, CC BY-SA). Morphology: LatinCy — machine parsing, corrected against the AGDT & PROIEL treebanks and Morpheus.
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