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Phillis of Delos: Fragments

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These Fragments preserve what remains of Phillis of Delos, a writer on music and chronology of whom little is known. His works are lost and survive only in citations by Athenaeus, the Suda and a Byzantine grammatical collection. They come from at least three works, On Times, On Music, of which a second book is cited, and On Aulos-Players, and cover the introduction of the alphabet to Greece, the names of stringed instruments, early citharodes and the drinking songs called skolia.

Though scanty, the fragments are useful evidence for ancient Greek musical instruments and performance practice, preserving technical names such as the pektis, magadis and klepsiambos. They also show how Greek scholars tried to date early cultural inventions such as writing.

About this edition. The Greek text comes from the Eulogikon open corpus of public-domain editions (standard reference: FHG IV 476). Every word has been analyzed with odyCy, a neural language model for Ancient Greek — click or tap any word for its dictionary form, part of speech, and complete morphology, together with the full entry from the Liddell–Scott–Jones Greek–English Lexicon (LSJ).

Ancient Greek · History
Fragments
Phillis of Delos · every word parsed
1
Anecd. Gr.: Πυθόδωρος ἐν τῷ Περὶ στοιχείων αφιλλαις (scr. καὶ Φίλλις) ὁ Δήλιος ἐν τῷ Περὶ χρόνων πρὸ Κάδμου Δαναὸν μετακομίσαι αὐτά (τὰ γράμματά) φασιν. Ἐπιμαρτυροῦσι τούτοις καὶ οἱ Μιλησιακοὶ συγγραφεῖς Ἀναξίμανδρος καὶ Διονύσιος καὶ Ἑκαταῖος, οὓς καὶ Ἀπολλόδωρος ἐν Νεῶν καταλόγῳ παρατίθεται. ΠΕΡΙ ΜΟΥΣΙΚΗΣ. [5]
t2-4
E LIBRO SECUNDO. Athenaeus XV: Καὶ Φίλλις δʼ ὁ Δήλιος ἐν δευτέρῳ Περὶ μουσικῆς διαφέρειν φησὶ πηκτίδα μαγάδιδος, λέγων οὕτως· «Φοίνικες, πηκτίδες, μαγάδιδες, σαμβύκαι, ἰαμβύκαι, τρίγωνα, κλεψίαμβοι, σκινδαψοὶ, ἐννεάχορδα. [5]
Ἐν οἷς γὰρ (φησὶ) τοὺς ἰάμβους ᾖδον, ἰαμβύκας ἐκάλουν· ἐν οἷς δὲ παρελογίζοντο τὰ ἐν τοῖς μέτροις, κλεψιάμβους Μαγάδιδας δὲ τὰ διὰ πασῶν καὶ πρὸς ἴσα τὰ μέρη τῶν ᾀδόντων ἡρμοσμένα. Καὶ ἄλλα δʼ ἦν παρὰ ταῦτα· καὶ γὰρ βάρβιτος ἢ βάρμος· καὶ ἄλλα πλείονα, τὰ μὲν ἔγχορδα, τὰ δὲ ἔνηχα, κατεσκεύαζον.» Athen. [10]
I: Φίλλις ὁ Δήλιος μουσικὸς τοὺς ἀρχαίους φησὶ κιθαρῳδοὺς κινήσεις ἀπὸ μὲν τοῦ προσώπου μικρὰς φέρειν, ἀπὸ ποδῶν δὲ πλείους, ἐμβατηρίους καὶ χορευτικάς. Suidas: Σκόλιον, ἡ παροίνιος ᾠδή, ὡς Ἀριστόξενος καὶ Φίλλις ὁ μουσικὸς, ὅτι ἐν τοῖς γάμοις παρὰ μίαν τράπεζαν πολλὰς κλίνας τιθέντες παρὰ μέρος ἑξῆς μυρρίνας ἔχοντες ᾖδον γνώμας καὶ ἐρωτικὰ σύντονα· ἡ δὲ περίοδος σκολιὰ ἐγίνετο διὰ τὴν θέσιν τῶν κλινῶν. [5]
6 (t)
ΠΕΡΙ ΑΥΛΗΤΩΝ. Athenaeus XV: Magadin tibiarum genus esse neque Aristoxenus ait neque Pyrrander ἐν τῷ Περὶ αὐλητῶν, neque Φίλλις ὁ Δήλιος· ξυνέγραψε γὰρ καὶ οὗτος Περὶ αὐλητῶν καὶ Εὐφράνωρ. [1]
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Text: Perseus Digital Library, licensed CC BY-SA. Dictionary: Liddell, Scott & Jones (Perseus, CC BY-SA). Morphology: odyCy — machine parsing, corrected against the AGDT & PROIEL treebanks and Morpheus.
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