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Polyclitus: Testimonia

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Testimonia gathers ancient testimonies about Polyclitus of Argos, the leading sculptor of the fifth century BC, and his treatise the Canon. Plato mentions him beside Phidias as a master who might be paid to teach and notes that his sons did not match him. Pliny the Elder, in Latin, describes his Diadumenos and Doryphoros and the statue called the Canon. Galen explains that the Canon was praised for the exact proportion of all its parts to one another.

These passages are the main evidence for what the Canon was and why it mattered. They show how ancient writers treated Polyclitus as the model of an artist who worked by rule and measure, and Galen's reports connect his ideas of symmetry to medicine and to philosophical definitions of beauty.

About this edition. The Greek text comes from the Eulogikon open corpus of public-domain editions (standard reference: DK 40 A 1–3). Every word has been analyzed with odyCy, a neural language model for Ancient Greek — click or tap any word for its dictionary form, part of speech, and complete morphology, together with the full entry from the Liddell–Scott–Jones Greek–English Lexicon (LSJ).

Ancient Greek · Didactic & Technical
Testimonia
Polyclitus · every word parsed
1
PLATO Prot. 311 c εἰ δὲ παρὰ Πολύκλειτον τὸν Ἀργεῖον ἢ Φειδίαν τὸν Ἀθηναῖον ἐπενόεις ἀφικόμενος μισθὸν ὑπὲρ σαυτοῦ τελεῖν ἐκείνοις κτλ. 328 c ἐπεὶ καὶ οἱ Πολυκλείτου υἱεῖς, Παράλου καὶ Ξανθίππου τοῦδε ἡλικιῶται, οὐδὲν πρὸς τὸν πατέρα εἰσί.
PLIN. N. H. 34, 55 Polyclitus Sicyonius, Hageladae discipulus, diadumenum fecit molliter iuvenem centum talentis nobilitatum; idem et doryphorum viriliter puerum. fecit et quem Canona artifices vocant liniamenta artis ex eo petentes veluti a lege quadam, solusque hominum artem ipsam fecisse artis opere iudicatur.
GALEN. de temper. I 9 p. 42, 26 Helmr. ἡ μὲν δὴ μέθοδος αὕτη· τὸ δʼ ἀσκῆσαι γνωρίζειν ἑτοίμως ἐν ἑκάστωι γένει ζώιου καὶ κατὰ τὰ σύμπαντα τὸ μέσον οὐ τοῦ τυχόντος ἀνδρός, ἀλλʼ ἐσχάτως ἐστὶ φιλοπόνου καὶ διὰ μακρᾶς ἐμπειρίας καὶ πολλῆς γνώσεως ἁπάντων τῶν κατὰ μέρος ἐξευρίσκειν δυναμένου τὸ μέσον. οὕτω γοῦν καὶ πλάσται καὶ γραφεῖς ἀνδριαντοποιοί τε καὶ ὅλως ἀγαλματοποιοὶ τὰ κάλλιστα γράφουσι καὶ πλάττουσι καθʼ ἕκαστον εἶδος, οἷον ἄνθρωπον εὐμορφότατον ἢ ἵππον ἢ βοῦν ἢ λέοντα, τὸ μέσον ἐν ἐκείνωι τῶι γένει σκοποῦντες. καὶ πού τις ἀνδριὰς ἐπαινεῖται Πολυκλείτου Κανὼν ὀνομαζόμενος ἐκ τοῦ πάντων τῶν μορίων ἀκριβῆ τὴν πρὸς ἄλληλα συμμετρίαν ἔχειν ὀνόματος τοιούτου τυχών. de plac. Hipp. et Plat. v p. 425, 14 Müll. ἐδήλωσε [Chrysippos] γὰρ σαφῶς τοῦτο διὰ τῆς προγεγραμμένης ὀλίγον ἔμπροσθεν ῥήσεως, ἐν ἧι τὴν μὲν ὑγίειαν τοῦ σώματος ἐν θερμοῖς καὶ ψυχροῖς καὶ ξηροῖς καὶ ὑγροῖς συμμετρίαν εἶναί φησιν, ἅπερ δὴ στοιχεῖα δηλονότι τῶν σωμάτων ἐστί, τὸ δὲ κάλλος οὐκ ἐν τῆι τῶν στοιχείων, ἀλλὰ ἐν τῆι τῶν μορίων συμμετρίαι συνίστασθαι νομίζει, δακτύλου πρὸς δάκτυλον δηλονότι καὶ συμπάντων αὐτῶν πρός τε μετακάρπιον καὶ καρπὸν καὶ τούτων πρὸς πῆχυν καὶ πήχεως πρὸς βραχίονα καὶ πάντων πρὸς πάντα, καθάπερ ἐν τῶι Πολυκλείτου Κανόνι γέγραπτα ι. πάσας γὰρ ἐκδιδάξας ἡμᾶς ἐν ἐκείνωι τῶι συγγράμματι τὰς συμμετρίας τοῦ σώματος ὁ Π. ἔργωι τὸν λόγον ἐβεβαίωσε δημιουργήσας ἀνδριάντα κατὰ τὰ τοῦ λόγου προστάγματα καὶ καλέσας δὴ καὶ αὐτὸν τὸν ἀνδριάντα καθάπερ καὶ τὸ σύγγραμμα Κανόνα. τὸ μὲν δὴ κάλλος τοῦ σώματος ἐν τῆι τῶν μορίων συμμετρίαι κατὰ πάντας ἰατρούς τε καὶ φιλοσόφους ἐστίν.
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Text: Perseus Digital Library, licensed CC BY-SA. Dictionary: Liddell, Scott & Jones (Perseus, CC BY-SA). Morphology: odyCy — machine parsing, corrected against the AGDT & PROIEL treebanks and Morpheus.
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