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Anonymous: Diegeseis on Callimachus’ Hymns to Zeus and Apollo

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These are the anonymous Diegeseis, or prose summaries, on Callimachus' Hymn to Zeus and Hymn to Apollo. They are preserved on a papyrus of about AD 100 from Tebtunis, now in Milan (P.Mil.Vogl. I 18). Each summary quotes the first line of the poem and then explains its subject. For the Hymn to Zeus it sets out the rival Arcadian and Cretan claims to the god's birth. For the Hymn to Apollo it describes the god's epiphany and the call to song and dance.

The hymns themselves survive complete in medieval manuscripts, so these summaries show how an ancient reader understood them rather than filling gaps in the text. They let us compare ancient and modern readings of Callimachus. They also show that the Diegeseis on the papyrus covered the hymns as well as the fragmentary works.

About this edition. The Greek text comes from the Eulogikon open corpus of public-domain editions (standard reference: P.Mil.Vogl. I 18, cols. XI–XII). Every word has been analyzed with odyCy, a neural language model for Ancient Greek — click or tap any word for its dictionary form, part of speech, and complete morphology, together with the full entry from the Liddell–Scott–Jones Greek–English Lexicon (LSJ).

Ancient Greek · Grammar & Reference
Diegeseis on Callimachus' Hymns to Zeus and Apollo
Anonymous · every word parsed
Hymn1.col11.(8)
ʼΖηνὸς ἔοι τί κεν ἄλλο παρὰ σπονδῇσιν ἀείδεινʼ | Ἐνταῦθα Ἀρκάδες καὶ Κρῆτες ἀντιποι|οῦνται τῆς Διὸς γενέσεως ἑκάτεροι λέ|γοντες παρʼ αὐτοῖς γεγεννῆσθαι τὸν θε|όν (Κρῆτες δὲ καὶ τάφον αὐτοῦ ἐπιδει|κνύντες, το[ῦ]τό γε ψευδόμενοι), ἀφορ|μὴν τοιαύτην εἰληφότες· τῆς γὰρ Παρ|ρασίας μοίρας ἔν τινι ὄρει θαμνώδει ἀπο|τεκοῦσα Ῥέα τὸν Δία Νέδῃ μιᾷ τῶν | Ὠκεανίδων εἴσω τῆς Κρήτης φέρειν | ἐνεχείρισεν, ὅπως κρύφα τρέφοιτο ἐ|κεῖσε.
Hymn2.col12
ʼΟἷον ὁ τὠπόλλωνος ἐσείσατο δάφνινος ὅρπηξʼ | Προτερατευσάμενος ὡς ἐντεθεασμέ|νων καὶ τῶν ἀψύχων ἐπὶ παρουσί|ᾳ τοῦ Ἀπόλλωνος δαφνίνων τε | κλάδων σειομένων καὶ αὐτοῦ τοῦ | τεμένους, ἐπιλέγει δεῖν χορεύειν | τοὺς παῖδας καὶ κιθαρίζειν, γεγαλη|νῶσθαι δὲ καὶ τὸ πέλαγος ἐφʼ ὕμνῳ | τοῦ θεοῦ καὶ τοὺς περιπαθεῖς ἀνέχειν | τοῦ θρηνεῖν. προσιστορεῖ δὲ καὶ τὸ πο|λύτεχνον τοῦ θεοῦ ὅτι καὶ τοξότης ἀ|γαθός ἐστι καὶ ἰατρὸς καὶ μάντις | καὶ ἐπόπτης τῆς τροφῆς τῶν θρεμ|μάτων, καὶ ὡς χαίρει πόλεων κτί|σεσιν οὐδʼ ἀρχιτεκτονίας ἀπολείπεται· | ἔτι δὲ τετραέτης ὢν ἐν τῇ Δήλῳ | βωμὸν ἐκ κεράτων κατεσκευάσατο. | καὶ εἰδὼς ὅτι Κυρήνης τὴν κτίσιν | Βάττῳ τῷ Θηραίῳ διεσήμηνε, κόρα|κα παρασχόμενος ἡγεμόνα· ὡς πρῶ|τον μὲν ἐν Σπάρτῃ ἐτετίμητο, | δεύτερον δὲ ἐν Θήρᾳ, τρί|τον δὲ ἐν Κυρήνῃ μετὰ τὰς ἀποικία[ς . ] . | τον λέοντα …… Βάττῳ …… |μενον
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Text: Perseus Digital Library, licensed CC BY-SA. Dictionary: Liddell, Scott & Jones (Perseus, CC BY-SA). Morphology: odyCy — machine parsing, corrected against the AGDT & PROIEL treebanks and Morpheus.
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